Wedding Photography Lenses That Every Photographer Can’t Do Without

There are generally four kinds of photography lenses that every wedding photographer should have in his or her gig bag:

  • Wide-Angle Zoom
  • Wide-to-Telephoto Zoom
  • Image-Stabilized Telephoto Zoom
  • Prime/Portrait Lenses

Wide-Angle Zoom

Wide-angle zoom lenses are one of the most important photography lenses that every wedding photographer should have, typically 17mm to 35mm in length with a fixed aperture of f/2.8. They provide a large depth of field, making it simple to have foreground and background in focus. They are an indispensable wedding photography equipment which allows versatility in confined areas such as a small banquet room or crowded dance floor. While shorter photography lenses allow you to capture more details, wide-angle zoom lenses allow you to capture more reactions and atmosphere to tell a richer story.

To elaborate further, wide-angle zoom photography lenses allow you to shoot a wider perspective of moments happening around the major subject, hence providing a bigger picture of the entire event. For example, wide-angle photos have the capability to tell “stories within a story”, allowing you to reveal more of the story behind the shot. This is essential for a good photojournalistic wedding photography. As events surrounding weddings are so time sensitive, good photography lenses will allow you to capture as many actions or emotions in the quickest time as possible.

When used in a venue such as the church or ballroom, wide-angle zoom photography lenses also magnify the grandeur and spaciousness of the area, which encapsulates the creative feel for a photojournalistic wedding photography.

However, you need to be selective of the scenes or actions using wide-angle photography lenses, as a caveat to shooting wide is that it creates some body distortion, particularly when a subject is photographed close-up. Generally, people tend to look heavier and shorter on the edges, while arms can look huge. The last thing you want is to have the bride cursing you for making her look like she has put on 10 pounds! To get around this problem, you should as far as possible avoid putting the bride and groom at the edges of the wide-angle distortion. In addition, wide-angle photography lenses might also introduce distracting or unwanted elements into the frame, which would otherwise ruin a picture perfect moment.

Wide-to-Telephoto Zoom

Wide-to-telephoto lenses are the single most important photography lenses that a wedding photographer cannot do without. They should ideally be lenses that cover somewhere around the 20-70mm focal length range with an aperture of f/2.8. This ideal range lets you get wide enough to take a group photograph and close enough to capture facial emotions in your candid shots or a three-quarter portrait of a couple without the undesirable effects of wide-angle perspective distortion. They also double as good lenses for portraits. Given just this lens, you would be able to capture most of the shots needed for a wedding decently well.

Image-Stabilized Telephoto Zoom

Image-stabilized telephoto zoom lenses are also essential items in your wedding photography equipment checklist. The 70-200mm focal length is an important range for wedding ceremony photos. It allows you to give your subjects more space in situations where you don’t want to get in the way. As you will often be photographing down the aisle from the back of the church, image-stabilized telephoto zoom lenses will come in very handy. 200mm is long enough to be able to take 3/4 length images of the bride and groom exchanging their vows while staying at a reasonable distance away from the action and 70mm is wide enough to take in the bridesmaids or groomsmen as a group without switching photography lenses.

A good point to note is that when using such photography lenses, nice blurred background can be achieved with maximum wide apertures of f/2.8 and long focal lengths of 200mm or 300mm, whether you are using a full-frame or a small sensor body. This allows you to isolate the subject from its background, and to focus attention on the image as the main subject you want to portray. Such photography lenses are especially useful for shots where you are unable to get in close and for intimate and private moments, where you want to be an unobserved stranger at a distance. Some examples include a stolen glance, a mischievous grin, a kiss – the details that are effectively conveyed by the emotions. Image-stabilized telephoto zoom photography lenses hence play an important role in capturing such moments.

These image-stabilized telephoto zoom photography lenses aren’t only good for blurry backgrounds or shooting events from a distance. They could also be used to photograph stunning facial close-ups from creative angles above or below the subject that don’t exhibit the normal distortions of large chins or shrinking heads that come from wider photography lenses.

Yet another advantage of such photography lenses is that you can use the small-sensor camera’s 1.5x crop factor to your favour. The 200/2.8 long end of the standard zoom effectively becomes 300/2.8, a lens that would cost $4000 for a full-frame camera. The effective 300mm length allows for more creative photo angles than shorter photography lenses, such as tightly cropped images of the groom’s hands lifting the bride’s veil or the bride and groom’s hands while they put rings on each others fingers.

The obvious disadvantage of image-stabilized telephoto zooms is that in many cases, long photography lenses tend to disconnect the subject from the main scene and there might be little to no context as to why the subject may have had expressed how they were feeling, the whereabouts of the subject and who else was there.

When using a small-sensor camera as your primary or backup body, the other disadvantage of image-stabilized telephoto zoom lenses is that neither Nikon, Canon or Sony make an f/2.8 lens that gives you an effective 70-200mm focal length. Hence, you would have to pay the high price and carry the weight of photography lenses designed for a full-frame camera.

Canon’s Image-Stabilization, Nikon’s Vibration-Reduction and Sony’s SteadyShot INSIDE systems are indispensable in allowing you to hand-hold these large and heavy long photography lenses, especially in low light situations. Every wedding photographer should ensure that the image-stablization and vibration-reduction features are available on their long lenses. You might also want to consider using a tripod to ensure continuous, accurate subject placement and sharp photos. Such telephoto zoom photography lenses are huge investments and if you have a budget constraint or an amateur just starting out, you might want to consider rental instead.

Prime Lenses

Prime lenses are essentially photography lenses with fixed focal lengths, as opposed to zoom lenses, which have variable focal lengths of say 24-70mm or 17-55mm. Prime lenses generally have a better optical quality than zoom photography lenses, and usually come with wider maximum apertures such as f/2.8 or f/1.8.

Good prime lenses are must-have photography lenses for any wedding photographer, as they are excellent for taking good portraits. Although you will be adequately equipped for a wedding shoot with the three zoom lenses in your lens kit as discussed above, it is worth including two to three fast prime lenses in your bag as well. These photography lenses are compact, light, and fairly inexpensive and would probably be needed in about 10 to 20% of a wedding shoot.

Faster prime photography lenses are ideal in situations where f/2.8 aperture is not enough to get the motion-stopping shutter speed or shallow depth of field desired, whether for artistic or technical reasons. For example, an image that requires a 1/20th of a second shutter speed at f/2.8 will only require 1/60th of a second at f/1.8, forming a distinction between a sharp image and a blurry one. Many professional wedding photographers actually include prime lenses in their gig bags as an economical backup to their zoom lenses. Not many people could afford to purchase an additional 70-200mm f/2.8 telephoto lens as a backup and you also want to prevent a frantic situation whereby your photography lens fails on you during a crucial moment.

There are many prime lenses available on the market but most photographers would include a 28/1.8, 50/1.8, and 85/1.8 in their prime photography lenses kit to be used on a full-frame body. The 28mm is wide enough to cover most ceremony locations and confined spaces, the 50mm is good for small groups or a priest blessing a couple, and the 85mm is long enough for ceremony vows and exchange of rings. A wedding can be successfully photographed with just these three photography lenses.

Wedding Photography – How to Choose the Right Photographer For Your Special Day

The style of wedding photography you like is what you should go for and how the price should never be your main deciding factor in your choice of wedding photographer. If you are engaged and planning on getting married, then you are going to be in the market for a wedding photographer. This article will explore how you, the bride and groom, can make a better and more informed decision about choosing your wedding photographer.

We will look into the style of wedding photography, what you like and how you have to see examples, how the price should never be your main deciding factor of wedding photographer and we’ll go into photographer insurances.

A simple search for “wedding photographer” or “wedding photography” on the internet will bring you millions of pages of results for you to sift through. So how do you start? By making your search more specific. You can turn your search “local” by including your city/town, You can turn your search to “style” with words like classic, wedding photojournalism, contemporary, this works great if you already know your style of choice. Word of mouth from friends, family and co-workers can be really useful. If they can give you a good recommendation of a wedding photographer they have used then check out the website. See if you like their work.

With the internet, most photographers have a website, visit it and look around. Seeing their work is a must. Every wedding photographer has their own style and their own artistic talent, but if at this stage you don’t like the style of photography, or if you don’t like the post processing of the wedding photo’s then you will most likely not like the photographs of your wedding day. This has to be a more important factor than the price.

A lot of people spend a lot of money on their wedding day. The only thing that you really keep are the memories. If you are on a budget, why not go for a non-album package now and get your photographer to design your album in a year. This way you will get better wedding photography now and get the album later.

Make sure your wedding photographer is fully insured. A number of things can go wrong on the day, and not always the photographers fault. He may be ill, memory cards can frazzle, he could knock someone over in his car: many things can happen, but if your wedding photographer is fully insured for public liability and for professional Indemnity then any problems can be sorted out. This can include scenarios like flying everyone back to the wedding location in order to get the group photograph taken again.

Now you have some more information on How to Choose the Right Wedding Photographer For You. Get the style you like first, if you’re on a budget then pay more on the photography, the album can wait and just ask what insurance they have and I am confident that your wedding photography will be to your liking.

Managing a Successful Wedding Photography Business

Managing a successful wedding photography business can be difficult, gratifying and stimulating all at the same time. A wedding photographer should work well under pressure and be accustomed to people’s feeling. He must also have impeccable time in order to shoot those precious experiences and also well prepared in all facets of the business.

Wedding photography gives ample possibilities for photographers to develop a good successful profession or merely supplement the images that they passionately pursue but find it hard to fund. Here are easy ways to make you successful in this field:

Collection of brilliant images

Create a powerful collection of wedding images while focusing on creating diverse photos in your portfolio. Take account of images that showcase your technique, unique camera angles, clear backgrounds, a powerful expertise in lighting and knowledge in digital processing and editing. Present your portfolio in an easy and also expert way on your website and in a book or artist’s portfolio demonstration for customer meetings.

Experience really count

Have enough experience as a wedding photographer prior to engaging into a wedding photography business. There are lots of ways to shooting a productive wedding and dealing with professional photographer, being an assistant, intern or even second shooter, will give you additional understanding of the business with limited risks.

Wedding photography may be stressful and any error is costly as the day’s activities cannot be reshot when mistakes happen.

Advertise the business

Advertising can be a key factor to manage a business that is doing well. Concentrate on an expert presentation in all your marketing and advertising supplies, both in print and on the web. Make use of the same logo, ideally a professionally designed logo, and preserve the same color system throughout your advertising props.

Consistency can strengthen your expert appearance to new clients. Create a web blog regularly of all of the wedding events and any additional projects or even photo shoots that the business generates.

Putting ads through wedding magazines is really a good concept, yet focus on having your work released in specific articles concerning weddings and unique bridal features. Utilize press announcements to contact writers and editors at wedding publications to help get free advertising via editorial exposure of your accomplishments.

Be systematic

Having a well structured studio and digital work flow is important to the daily operations of the photography business. The digital work flow is the actual process of capturing the image file, uploading as well as archiving the file, editing the image, saving and also presenting it to the customer. This must be completed in a planned style and performed in precisely the same way for each wedding.

All images need to be backed up on external hard disks and on the web servers in case some thing occurs to the physical conditions in which the studio is situated. Wedding photos have a monetary worth both to your business and also the client. Keeping it well to preserve the well-being of the images is essential for every wedding photography business.

Wedding Photography – Traditional Or Trendy?

Wedding photography offers styles to choose from. Professional wedding photographers provide help for the bride and groom which wedding photography style they think would be appropriate for their taste. It is always time consuming and confusing for every bride and groom to decide on and pick a photographer with the precision in visual style, expertise, ethics and professionalism.

Professional wedding photographers employs the latest techniques in photography to keep up with the trend but one style doesn’t fit all. The best thing to do is to focus on how you would want the images captured to create a prized possession. Have a detailed discussion and bare what’s in your wish list to your photographer and come up with the best photography design appropriate and acceptable to you. These days’ photographers boast of and rely on their sophisticated digital cameras to get the best shots. Providing quick and easy reviewing of the photos and probably retakes if need be.

There are two types of wedding photography styles to choose from: traditional and photo journalistic. Most couples need to understand the difference and it will help in decision making as to what style they would want for their wedding mementos.

Traditional Wedding Photography

Traditional wedding photography captures pictures of course, the traditional way with traditional poses. This is when all family members from different generation are present and has to be in the pictures. From the side of the groom’s to the bride’s family plus the combination of family, friends and the entourage take turns posing with the bride and groom for posterity. Not as pretty as the photo journalistic style but for those who value family from one generation to the next typically go for this style. It is the style that dictates the setting.

Photo Journalistic Wedding Photography

This is a very trendy approach and is ideally chosen by young and hip couples. It is more like taking pictures for a magazine and is like telling a story as it unfolds, a story of how it all began laid out in order. Wedding photojournalism “is characterized by its candid, creative and natural results spanning serious to humorous scenes as your wedding photojournalist documents the moment as it naturally happens.” Photographer tries to take candid snapshots and capture best moments as well. This style usually devotes a day before the actual wedding to take photos of activities the bride and groom are into and captures images.

The most important decision in choosing a wedding photographer is to understand and identify what and how you want the images to come out. It would be helpful to allot more time when choosing and not regret on the decisions made. Remember, there is no way to fix the style of your photos once they are taken. It isn’t something that you can return and exchange. You and your groom need to make sure their style is in sync with yours. The outcome will be a lifetime keepsake so make sure to go for the best flowers to the food and the gardens. Your wedding pictures will be a lifelong keepsake, so the wedding photography must be top-notch.